Urban Landscape + Lifestyle Photography

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Two new cameras and more changes in store

I’ve made the biggest equipment changes ever in my photographic pursuit so far in the spring of this year. First, as you know, I upgraded to the Canon 6D, my first full frame camera. With this change I also jettisoned a bunch of older, underutilized gear. I will talk more about what I got rid of in future posts.

But there’s more, both in the capture and output of my photographs. I made some additions with my usual practical considerations. Others, perhaps, not as much. I’ve bought 2 more cameras which I haven’t mentioned just yet. I’ve also jumped into an entirely new aspect of photography that I’ve barely considered in the past.

I wonder what has driven all of this change? Is it that I’m board with photography and I need new toys? Am I opening up new vistas and trying to achieve the next step in my quest to become a better photographer? Or do I just need more stuff to talk about on this blog? I’m not sure what the answer is — maybe a little bit of each. Either way, there’s been a whirlwind of activity behind the scenes.

Maybe you’ve been bitten by the gear bug. I’ll talk about all the new stuff and what I plan to do with it. Am I just suffering from GAS (Gear Acquisition Syndrome) or is this justifiable as improving my photographic art? You can be the judge and let me know. After all, with the crazy lis of cameras I already own, how can I defend getting more gear?

Embracing Motion Blur to Create Art

Full Gallop, Rodeo Austin - Austin, Texas

Full Gallop, Rodeo Austin – Austin, Texas

Last week I posted a series of high-speed photos from Rodeo Austin. The cool thing about those photos is the realization of how much can happen in just one second. We are talking about sliced of time where we can no longer adequately comprehend the details. For today’s rodeo post, I’m taking almost the opposite approach. I’ve slowed the camera down to create images that shows motion and a blurring of time.

In addition to my Olympus E-PM2 that I used to take the fast shots, I also brought my Canon 7D with a long lens. Actually both cameras have the capability to shoot at 8 frames per second, the difference really comes down to the lenses. I had a fast f1.4 lens on the Olympus which allowed me to stop the action and at high quality by using a reasonable ISO. With the Canon, I used my 70 – 200mm zoom which has a maximum aperture of f4. While this lens allows me zoom into the action, it’s 3 stops, or 8 times less able to capture light. Since I wanted to keep the ISO at 3200 or less, I just didn’t have the shutter speed to truly stop the action.

So I took a different tack. I embraced motion blur. I used blur as a technique to enhance the feeling of speed while stretching out time. Along the way, I think I came up with something that feels more artistic and a bit more creative. I used the limitations of my equipment to do something different and I like the results.

Bucking and Blur #1, Rodeo Austin - Austin, Texas

Bucking and Blur #1, Rodeo Austin – Austin, Texas

The key in using motion blur is getting the right amount the blur. Use too much and you get a mess — you lose the context of the image. Use too little and it just looks like you made a mistake — the motion blur just comes across as a soft or misfocused photograph. You want to show enough blur that your intentions are clear but you still want to give the viewer an idea about what the image is about.

The way to get the blur, of course, is to adjust your shutter speed. For these photographs, the shutter was set between 1/20 to 1/30 of a second. This is what looked right to me. Your mileage, like any art, may differ. As a bonus, when you lower the shutter speed you can also lower the ISO — which increases image quality. In my case, I went from shooting at ISO 3200 to using ISO 800 or 1000.

Bucking and Blur #2, Rodeo Austin - Austin, Texas

Bucking and Blur #2, Rodeo Austin – Austin, Texas

Finding that right shutter speed is the big fun for these motion blur photos. Part of it is based on your artistic interpretation but the subject is also a big factor. 1/30 of second for racing cars at F1 maybe too slow while 1/30 for pedestrians maybe too fast. I’ve also used a tripod when shutter speeds become too slow to hand hold. It’s also important to shoot a lot of frames. These kind of photographs are unpredictable and when you have a lot to choose from, you can be more selective and pick your favorites.

Back in March at Rodeo Austin, I didn’t intentionally go to shoot these kind of photographs. It was a shift I made based on equipment and environment. But being flexible with the intent of just making interesting photographs allowed me to do different and unexpected things. It’s part of being open-minded as a photographer and embracing the possibilities.

Bucking and Blur #3, Rodeo Austin - Austin, Texas

Bucking and Blur #3, Rodeo Austin – Austin, Texas

Click on the photographs to see a larger image and hover over the photos to see the exposure detail.

The Olympus XZ-1 Review

The Last of the Victorians - Austin, Texas

The Last of the Victorians – Austin, Texas

I added the Olympus XZ-1 to my collection of cameras back about 5 months ago. I was always itching for a premium point and shoot and when I found a spectacular deal, I jumped on the opportunity. And over the last 5 months, I have posted many entries about my experience with the Olympus XZ-1. For the most part, the experience has been positive. I’ve discovered that a high-end point and shoot is something I enjoy using, even though I own loads of mirrorless cameras and a DLSR. Having a small camera capable of good image quality and the flexibility of a zoom is the unique selling point for this class of camera. So after many months and thousands of photographs, here is my review.

A Series of Interrelated Curves - DFW, Texas

A Series of Interrelated Curves – DFW, Texas

Before the passengers, American Airlines - DFW, Texas

Before the passengers, American Airlines – DFW, Texas

The Positives

The XZ-1 is smallish camera that is joy to sling over the shoulder. It’s too big, however, to put in a pants pocket. The camera comes in a black or white. While I generally prefer black, I got the white version because that’s what was on sale. And I’ve come to enjoy the cuter white color, especially since I’ve received numerous compliments about the camera as I traveled through airports. There are two stand out features. A larger 1/1.8 sensor and a f1.8 to f2.5 zoom lens. Combined, these two features allow the camera to create nice quality photographs even in less than ideal lighting. Certainly several notches above typical point and shoots and drastically better than smart phones.

As you may know, I’m also an Olympus Pen user and I currently own 4 of these interchangeable mirrorless cameras. Conveniently the Pen accessories also work on the XZ-1 which shares the same accessory port. Therefore, if you have a EVF for the Pens, it also works on the XZ-1. I own the small FL-300R flash which also works on both cameras. This is convenient and saves space. I share my accessories when I travel with both my Olympus E-PM2 and XZ-1.

The image quality at ISO 100 can be quite good. Not as good as my Olympus Pens but enjoyable nevertheless. Having a zoom range of 28mm to 112mm gives me the creative freedom to frame my shots whether I’m shooting architecture, doing street photography or shooting colorful food. Even at the maximum focal length, I can still get a fast f2.5 aperture. ISO 200 is also decent and ISO 400 is probably my upper limit for quality. I only use ISO 800 for emergencies and I usually convert the images to black and white to either mask or compliment the noise. The image stabilization is very effective and better than what I have on my Olympus E-P3 or E-PM2. The flash exposures also work well and blend well with the ambient light.

Because the smaller sensor has lots of depth of field (DOF), it works well for getting casual group shots. Even with a wide open aperture of f1.8 the entire group can be in focus. Pop-up the built-in flash or use that small FL-300 and even dark restaurant group portraits comes out decently. Ironically, it is easier to take group photos in dark places with this point and shoot than with more expensive cameras that have a shallower DOF. I set the mode dial to iAuto and hand the XZ-1 to waiters and they come up with real winners. I do brighten the image somewhat in post processing but it works great for this kind of snap shooting.

With the P S A M on the mode dial along with the usual art and scene filters, the camera gives control to the experts but also has the easy modes for beginners. Many of the lesser point and shoots typically don’t have the controls to satisfy knowledgeable photographers. Enthusiasts can also shoot in RAW for maximum control of image post processing. While the JPEGs are good, I shoot all my photos in RAW.

A lot of Americans, Terminal A - DFW, Texas

A lot of Americans, Terminal A – DFW, Texas

Coffee Rubbed Steak Tacos, Garrido's - Austin, Texas

Coffee Rubbed Steak Tacos, Garrido’s – Austin, Texas

The Negatives

Here are the things that don’t work so well on the XZ-1. Physically, the most annoying feature is the manual lens cap. I have it tethered to the body but it’s clumsy and gets in the way. The extended lens retracts quickly when I’m reviewing pictures and ends up extending again when I hit the shutter button. So there is a constant retracting and extending motion as I shoot and review photos. It would be nice if the lens stays extended longer. The XZ-1 has a limited number physical controls and the buttons are not reprogrammable. There isn’t enough direct access to the settings that I want to change quickly. That means I need to hit the OK button and scroll to access the ISO setting, for example.

The camera does not have a separate battery charger. Like some newer cameras, it uses a USB cable to charge the battery in camera. That means I won’t be able to charge a battery while I’m out shooting. One the plus side, I can charge the camera from outlets on my car and the USB port on my computer.

The OLED display can be washed out in bright light and also has some strange flare problems when shooting into bright light. Luckily the image is not affected, the flare and light streaks can make composing the image a bit difficult.

Movies are limited to 720P, dated by today’s standards. I also prefer the MP4 compression instead of the space hogging AVI Motion JPEG.

While the shooting and focusing speed is pretty snappy, zooming into the image playback is pokey. There is also a second delay when switching between the shooting and playback modes.

You may have noticed that I described the image quality as being nice or decent. Even at ISO 100, the image quality is just a tad short of what the mirrorless cameras can do. For most people the image quality will be fine. But over the years, I’ve gotten increasing picky. Even at the lowest ISO, this is a fine-grained noise at 100%. The colors are also a bit weak, like they are slightly washed out. I need to amp them up more than usual in post processing, like I did here. They don’t have the vibrant colors that I’ve come to expect from the Olympus Pens. You may think that this is to be expected given the smaller sensor but my Panasonic ZR-1, which has even a smaller sensor, has more of a pop to its photos. That camera has an ISO 80 that really looks good. I don’t expect great high ISO quality from point and shoots but I would like to have a really clean image at the base ISO.

Image quality wise, I feel that I can’t use this camera for “serious” work. It’s a great camera for travel and to shoot interesting compositions on the go. I use it to take snap shots of friends and family. But I feel a bit compromised by the image quality even in the best light. Perhaps that is why I end up converting many of my XZ-1 photos to black and white. I find that the monochrome images have more pop and it may mask some of the minor deficiencies that I find. Not to say great color isn’t possible. I’ve included some of my favorite color images on this post. Keep in mind that I’m being very picky here. More than likely, for most people, they will be happy with the quality.

Executive Pedicab, SXSW Interactive - Austin, Texas

Executive Pedicab, SXSW Interactive – Austin, Texas

Conclusion

The most telling thing about the XZ-1 is that I use it constantly. It is small and light enough that I can bring it almost anywhere. And as you can tell from the photos, I do have it with me all the time. It is clearly a point and shoot and its cute white makes it a very non-threatening even approachable camera. It also has enough controls that I can take the kind of pictures that I want. The Panasonic ZR-1, for example, tries to be too smart and it works against experienced photographers. Not so with the Olympus XZ-1. It’s a fun camera to shoot and even with my slight image quality reservations, it makes effective photos — clearly better than most point and shoots. All but the most picky would be quite satisfied.

Back two years ago, when this camera was released, its image quality received high marks. But two years is a long time in technology and improvements have been made by Olympus and the competition. Last year, Olympus released the XZ-2 that seems to address many of my negatives. Amazon’s pricing fluctuates but if you can get the XZ-1 under $300 look into it. It may be worth your consideration.

Here are more photographs that I shot with the Olympus XZ-1

Lanterns in Formation, Panda Express - Austin, Texas

Lanterns in Formation, Panda Express – Austin, Texas

All photographs taken with my Olympus XZ-1 point and shoot.

Click on the photographs to see a larger image and hover over the photos to see the exposure detail. Multiply the focal length by 4.66 to get the 35mm equivalent

One second of the Austin Rodeo

I had a nice opportunity to shoot Rodeo Austin this year with a press pass. It gave me the chance to get into the Rodeo and to sit temporarily in any unoccupied seat. As a city slicker from the East Coast, it was great fun. And while I’ve been to the carnival portion of Rodeo Austin many times, this is the first time I ever stepped foot into the heart of the rodeo itself. Austin doesn’t feel very “Texas like” in many places but here I certainly felt transported to a whole different world. Sort of like a tourist in my own home town.

I often say that mirrorless cameras like the Olympus Pens are not suited for fast action sports. And that’s true in many cases but not all. Let me explain. If you shoot soccer, kid’s soccer in my case, the almost random back and forth motion of the game is hard to capture with a mirrorless camera. It’s really the continuous focus that suffers. Composing with an optical view finder, not an EVF, is really the best way to go and DSLRs are great for this — there is no EVF or LCD lag.

However, for fast action that is more predictable, the Olympus Pen can do a spectacular job. Below are 8 photographs I took with my Olympus E-PM2. This kind of action is perfect for this camera since I knew exactly where the rider and bucking bronco are going to start.

Bucking Bronco 1, Rodeo Austin - Austin, Texas
Bucking Bronco 2, Rodeo Austin - Austin, Texas
Bucking Bronco 3, Rodeo Austin - Austin, Texas
Bucking Bronco 4, Rodeo Austin - Austin, Texas
Bucking Bronco 5, Rodeo Austin - Austin, Texas
Bucking Bronco 6, Rodeo Austin - Austin, Texas
Bucking Bronco 7, Rodeo Austin - Austin, Texas
Bucking Bronco 8, Rodeo Austin - Austin, Texas

Bucking Bronco 1 – 8, Rodeo Austin – Austin, Texas

I took all 8 photographs in 1 second. Look at the LCD clock at the top of the picture. It matches perfectly with the E-PM2 specs of 8 continuous frames per second. All were shot at 1/500 of a second at f1.4 and ISO 1600. I used my favorite Panasonic Leica 25mm f1.4 which gives a 50mm equivalent view.

The action happens so fast it was hard for me to keep track. I basically aim at the gate and a fraction of second after the gate opens, I mash my finger down on the shutter. Then I just follow the action. As long as the horse remains at the same relative distance from me, they all stay in sharp focus. I got a pretty decent keeper rate too. After a second or so buffer fills up and the shots per second slows down dramatically.

I got a lot more than bucking broncos so I’ll post more photos from the rodeo in the coming days. It’s hard to believe that I shot these back in March. Time flies when you shoot too much and talk too much about gear. It’s all fun.

Please stay tuned.

Photographs taken with the Olympus E-PM2 with the Panasonic Leica 25mm f1.4.

Click on the photographs to see a larger image and hover over the photos to see the exposure detail.

The end of an era for my sports photography

Backyard Slide Show - Austin, Texas

Backyard Slide Show – Austin, Texas

The end of the season soccer party last Friday was the end of era on many levels. Instead of the usual gathering at a restaurant, one the parents opened their home for a more personal get together. The boys are finishing 4th grade and the team is splitting up. The serious players will join the bigger, more competitive leagues. The rest of the players will either quit or join the purely recreational groups. For me, it will be the end of sports photography, at least on a regular basis.

For 5 years, from Kindergarten through 4th grade, I was the team photographer. And over these years, I have a total of nearly 1,000 carefully selected and processed photographs. The highlight of the evening, at least for me, was the backyard slide show. The parents were sentimental — seeing the boys as 6 year olds. Over the years, I’ve honed my skill to get a more dramatic point of view. I shot sitting on the ground to be at the same level as the kids. The 1/1000 per second action shots, up close, made the most clumsy player look like a pro. The slide show of my photographs set to music held the kid’s interest. I was more than happy that I was able to record a slice of life for the team.

I’ve also upgraded my gear too. I started with a Canon Rebel XT with a 28 – 135mm zoom. I then added a used Canon 20D paired with an old Canon 70 – 210mm lens. Somewhere along the way I ended up with the Canon 7D and the 70 – 200 f4 IS. My technique improved too. Quickly creating balanced compositions out of apparent chaos, became my weekend challenge. I also shifted from JPEG to RAW and experimented with different styles of processing. As I look back through my archives, I noticed that 3 years ago, I was into adding vignettes. Luckily, I got over that.

My earlier images were dull and technically inferior, but I noticed a passion. A passion that is no longer there in my more recent shots. Years ago, getting these action photos is what drove me. That was before the urban landscapes, going on photowalks and the broadening of my photographic repertoire. Relatively speaking, my son was a better player too, back then. While I photographed the entire team, I have to selfishly admit that my main motivation was getting great action shots of my son. As my son’s soccer interest and play decreased so did my photographic effort. The team began to play on larger fields and it became increasingly difficult to get that dramatic up close poses.

My son and a few others are distinctly in the social soccer camp. It’s unknown if he and his social group will continue next season. As for me, I’m giving up my sports oriented Canon 7D and switched to the more modest, for action, 6D. If pressed, I’ll still use the 6D for action but more as a test and with less seriousness. I suppose the 6D shouldn’t be much worse than my old 20D that I used with intensity and drive. And it will at least be better than my Olympus Pens. I tested those mirrorless cameras and I can confirm, they really don’t work well for fast action sports.

With a touch of melancholy, I’m moving on to different things. My family photographs are still the most important but there’s going to be a lot less action. There is a whole world out there waiting to be captured. I’m curious how a change in focus will alter my photographic trajectory over the next 5 years.

Click on the photograph to see a larger image and hover over the photo to see the exposure detail.