Urban Landscape + Lifestyle Photography

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A trip to the supermarket can be exotic

Catfish packed like sardines, Chinatown Center - Austin, Texas

Catfish packed like sardines, Chinatown Center – Austin, Texas

Do you know that Austin, Texas has a Chinatown? Well not exactly. It is a strip mall called Chinatown Center which does contain my Asian stores and restaurants. I headed up there yesterday to see the Chinese New Year celebrations and take some photographs of dancing dragons and such. Except I messed up. It turned out they were going to have the festivities next Sunday. At least I didn’t miss it. The Asian American Cultural Center in Austin was having a New Year’s event on Saturday so I just assumed that the shopping mall was having theirs the next day. Anyway, I decided that since I’m already here, maybe I can find something interesting to photograph.

I brought my big gun out to the event, my Canon 7D with my 70-200mm f4 and even my external flash, just in case it got sunny (a flash is really useful on sunny days, to even out the shadows). Luckily, I also brought my less conspicuous Olympus E-PL1 with my favorite 20mm f1.7 lens. If I’m walking into a supermarket, I was certainly not going to open fire with my Canon 7D. The Canon may be a bit less noticeable that a real gun but it was sure to attract attention just the same. WIth the small Olympus over my shoulder, I decided to go hunting for some dragons. This year is the Year of the Dragon on the Chinese zodiac, a particularly auspicious year I’m told. I wanted a nice dragon photo to put on mostlyfotos, my one photo a day, photo blog.

Stone Dragon, Chinatown Center - Austin, Texas

Stone Dragon, Chinatown Center – Austin, Texas

In the prominent middle building of the Chinatown Center, there is a large Asian supermarket. A sure sign that the Asian population in Austin is growing. There were also a healthy number of non-Asian customers, a cross cultural mix that is one of my favorite things about this country. I didn’t have to go far to find my dragon. Flanking the entrance were two large stone dragons. These imposing carvings would look good at a temple but with the shopping carts in the background, I found it changeling to get a nice composition. I decided a closeup was best to eliminate the background as much as possible. Once inside, I was greeted by a large, red, multi-language banner in English, Vietnamese and Chinese. I wished I had a wide-angle lens with me, the 40mm view didn’t allow for the best composition. I stepped back as far as I could but the image below is about the best that I can do. The rare times when a simple kit zoom would have worked a lot better.

Chinese New Year Banner, Chinatown Center - Austin, Texas

Chinese New Year Banner, Chinatown Center – Austin, Texas

I found more dragons inside. Trinkets found in the gift area. There were comical hanging dragons, colorful dragon statues and even intensely golden dragons. Nothing too exciting photographically but it will give me something to post on mostlyfotos. The image at the top of this page is my favorite. Something a bit different from the norm. These catfish were alive, swimming in a packed tank, ready to be purchased and become someone’s meal. Turns out the most interesting photos I took during this outing were of dragons and fish. I didn’t feel comfortable taking candid people photos inside a private business, unlike an open air public market. The camera I had didn’t attract too much attention but I didn’t want to blatantly go around snapping tons of photographs, most stores tend to frown up this kind of thing. The point I wanted to make is that potentially interesting photos can be captured in all kinds of places, even in a supermarket. Photograph the world from your neighborhood. In the United States, there are enough ethnic festivals and stores to capture a slice of American life that a bit unexpected. Whether it be a Dia de Los Muertos Parade in downtown or a Asian supermarket, there are opportunities abound to see different things.

On the way home, I stopped at a Vietnamese sandwich shop. Did you know the Vietnamese make great French baguettes? Yup, Vietnam was once a French colony and there was certainly a culinary influence. They also make a ham and pork sandwich on a baguette with fresh vegetables that the Vietnamese usually put on their noodle soups. A tasty end to a mix-up that turned into a short Asian tour. Maybe next Sunday, I’ll get to the New Year celebration, which is a bit late since, today January 23rd is the official Lunar New Year.

Happy Chinese New Year!
May the year of the Dragon bring you success in photography and in life.


Lots of dragons and fishes all shot with the Olympus E-PL1 and 20mm f1.7 lens. Please make sure to click on a photograph to see a larger image and hover over the photo to see the exposure details.

Hanging Dragon

Hanging Dragon

Dragon Statue

Dragon Statue

Golden Dragon

Golden Dragon

Stone Fishes

Stone Fishes

The Sony NEX-5 Auto HDR workaround

Driskill Statue

Driskill Statue – Austin, Texas (An example of the built in HDR mode)

The Sony NEX-5 and other NEX cameras has a neat built-in HDR mode that makes it easy to create decent looking HDRs. Unfortunately, the user interface around this feature had some issues and frustrated me quite a bit. The good news is I stumbled on a workaround that makes using this feature a whole lot easier for me, so I wanted to share this information with you.

First, a little background. For those of you who do not know. HDR is short for High Dynamic Range photography which combines 3 or more photos of the same scene at different exposure levels to produce an image that give more detail and color than a typical photograph. This popular technique is a bit of a pain to do manually, requiring you to not only get the right settings in camera but requires a lot of post processing knowledge to do well. The NEX’s HDR mode does all this for you, so it is a quick and easy way to make HDRs. Unfortunately, there were a few interface issues that made accessing this mode a pain in the neck for me. Consequently, I didn’t use it as much as I wanted to. I wrote about this frustration in my detailed Sony NEX-5 review. I shoot my NEX-5 in RAW to get the highest possible quality. The built-in HDR function only works in JPEG — you can not even access the HDR settings when you are in RAW mode. Previously, I had so switch from RAW to JPEG, then get into the HDR mode, shoot the picture in HDR, then switch back to RAW again for my regular shots. Later on, when I wanted to shoot another HDR, I had to go through the same cumbersome process. After a while, I just didn’t bother.

So here is the work around. First start in JPEG mode. Click the menu button. Select “Image Size” from the menu. Scroll down to “Quality”. This is where you can set RAW or JPEG. I set my JPEG to Fine, which is the highest quality for JPEGs. Then I set the HDR mode. Hit the menu button again and this time select “Bightness/Color”. Under this submenu, select “DRO/Auto HDR”, and then select HDR. You can also adjust the level of HDR in this mode, which took me a while to find, the first time. Click the “options” button to the left and below the scroll wheel. This will allow you to choose from Auto-HDR to 6EV HDR modes by turning the scroll wheel. Choose the level of HDR you like. You can experiment with the level you personally like. I keep mine usually on Auto-HDR. Now, if you choose to shoot in JPEG all the time, then you are all set. Life is easier to do HDRs since you don’t have to switch back and forth between JPEG and RAW. I like to shoot in RAW, so I switch back to RAW through the “Image Size” menu. Here is the key part of the work around. When you are in RAW and what to take an HDR, just switch to JPEG. The camera remembers that you have set the HDR mode in JPEG. When you are finished, switch back to RAW.

The following “bug” has tripped me up, which probably added to the frustration.. When you are in RAW and you happen get into the “DRO/Auto HDR” menu, if you change the scroll wheel dial at all, even if you hit the cancel button, this takes the camera out of HDR mode in JPEG. If this happens you have to repeat all the steps above to get your camera back into HDR mode. So, as long as you don’t touch the scroll wheel, you are OK and can switch back and forth between JPEG HDR mode and normal RAW mode. I originally programmed my custom button as a short cut to the DRO/Auto HDR feature. This makes it easy to access HDR but also makes it easy to change the setting accidentally which unknowingly took me out of HDR mode. I’ve removed the HDR option off my custom button to prevent accidental changes. I wish I can program this custom button switch between RAW and JPEG but this is not available on the NEX-5.

I played around with a NEX-5n and a NEX-C3 and noticed that they act differently. Unfortunately, while there are a lot of improvements in the 5n, the switching behavior between the JPEG HDR mode and RAW is worse. Unlike the NEX-5, on the 5n, even when you set the HDR mode in JPEG, the act of switching to RAW will make use lose the HDR mode. All is not lost, however. The option button is more flexible in this newer model so that you can program on the buttons to quickly switch between JPEG and RAW. The net effect is that the behavior is different but the user interface pain level is about the same. The NEX-C3 seems to have a similar behavior as my NEX-5, though the options button is not nearly as flexible as its bigger brother.

I hope I explained this well enough so that you can follow along. The Sony menu interface is sill far from ideal but this workaround makes it better. I didn’t get a chance to test all the NEX models so please tell me what your experience is, especially if you have a NEX-7.

Here is a sample of my work using the Sony NEX-5. I’ve posted them on my one-photo-per-day photo blog, mostlyfotos. There are a lot of images so click the << Previous Photo link to see more. You can also hover over the photos to see the exposure information.

The Two Olympus Pens in action

Jacklyn and Odessa (20mm) - Austin, Texas

Jacklyn and Odessa (20mm) – Austin, Texas

Jacklyn and Odessa (45mm) - Austin, Texas

Jacklyn and Odessa (45mm) – Austin, Texas

At the end of the last episode, Kirk, Frank and I were taking about life and photography over coffee at Caffe Medici. We all just happen to run into each other in downtown Austin, all toting our small mirrorless cameras. Coffee time was over and we continued on with our photo excursion. Frank mentioned that Nissan was having a Leaf demo, a look at their newest high-tech all-electric car, a couple of blocks away. With a small group and no line and we quickly got in to see the high-tech displays. I even took a short test drive. The Leaf was certainly futuristic, very quiet and zippy. As cute as the cars were, I was more attracted by a different photo opportunity. Jacklyn and Odessa were part of the demo team at the Nissan display. There were tucked safely behind a barricade so that they would be safe from crazy street photographers. That didn’t stop me of course. I need to take opportunities like these and ask total strangers if I can take their photo. Like many people, I find this to be a challenge but like many things, with practice, things get easier. Kirk is the master of talking to strangers and winning their trust. I experience this skill first hand over a year ago in San Antonio when Kirk lead that he called an anti-workshop. It was then when I made a concerted effort to get better at asking strangers if I can take their photograph. I remember writing about this early on in this blog in a post called Overcoming the Fear of Photo Rejection. After a year or so, it is getting easier but I’m still not up to Kirk’s level of expertise, but I keep on trying.

Window Logo, Caffe Medici - Austin, Texas

Odessa (45mm) – Austin, Texas

This was also perfect time to test out my new two camera combo, that I had with me. The first photograph has taken with a Olympus E-PL1 with the 20mm Lumix f1.7 lens. I find the 40mm equivalent lens to make excellent environmental portraits. Not in this case though. There are too many distractions and the surroundings are not exactly inspiring. Luckily, I had the second camera with a lens that works a lot better in these situations. A quick switch to my other, identical Olympus E-PL1 did the trick. This second camera had the new Olympus 45mm f1.8 lens. At a 90mm equivalent, and a big aperture. I was able to get a closeup and blur the displeasing background into a creamy haze. I took both images from about the same vantage point on the other side of the barrier. I felt obliged to test out my new portrait lens so I continued with some headshots. Jacklyn was a bit shy so she oped out but Odessa seemed really happy to stand in as a model.

WIth my two camera test deemed a success we continued west, back to where our cars were parked. In the previous post, I wrote in detail of how I ended up with this two camera setup. After over a year of looking, reading and testing I finally came up with this winning combination. In the next weeks and months, I’ll write some more about how this 2 Olympus combination is working out.

Make sure to click on a photograph to see a larger image. Hover over the photo to see the exposure details.

Here is a sample of my work using the Olympus E-PL1. I’ve posted them on my one-photo-per-day photo blog, mostlyfotos. There are a lot of images so click the << Previous Photo link to see more. You can also hover over the photos to see the exposure information.

My New Two Camera Olympus Pen Setup

My two camera setup, Olympus E-PL1 with 45mm and 20mm

My two camera setup, Olympus E-PL1 with 45mm and 20mm – Austin, Texas

Introducing my new two camera Olympus Pen setup. For a couple of years, I’ve been looking for a smaller camera alternative to my current DSLR, the Canon 7D. I’ve used a couple of different cameras and did a bunch of research to come up with this setup. At first I used the Sony TX5. While I originally bought if for a beach trip, this tiny waterproof point and shoot has great image quality and a take anywhere size. And, while the image quality is very good for a small point and shoot, I ultimately wanted something better. Then, I got into the Sony NEX-5. After much research, this was the first mirrorless, EVIL (Electronic Viewfinder Interchangeable Lens) camera I purchased. I’ve used it extensively and blogged a lot about the camera over the year. If you read my detailed review of the Sony, you know that I’ve had great success with the camera but there were a couple of things that weren’t ideal for me. I continue to use the camera but almost on a lark, this past summer, I found an inexpensive Olympus E-PL1 kit that change my equipment direction which culminated in this new setup.

I admit that I tend to analyze stuff, a lot. It’s in my nature and I have to admit that I enjoy the process. I don’t intensively concentrate on finding the solution per say. Rather, I think about the problem and I keep it in the back of my head. As I come up with a thought, read something on the web or hear something from a friend, I stuff those little nuggets of information somewhere in my brain. Eventually, those nuggets start combining and attach themselves to the problem. It’s almost like white blood cells swarming together to fight a foreign invader — I start getting possible solutions or directions to solve the issue. The problem that’s got me analyzing all this data is “What do I use when I wanted to take highest quality images but with the smallest possible camera?’” DSLRs are excellent general purpose devices that do almost everything well in photography but what If I were to narrow down my requirements so I could “make do” with a device that is more targeted. My desired smaller camera will not have to do action or sports. I did not need extreme telephoto zooms. It didn’t have to be built like a tank or be weather sealed, but the camera didn’t need to be tiny either — it didn’t need to be pocketable. I was perfectly willing to carry this camera in a small bag. I just didn’t want the bulk of the DSLR at times. I’ve been thinking about this issue for a while now. Along the way, I’ve read some great stuff on the web that has influenced my direction. First up is that whole, your camera doesn’t matter it’s the photographer mantra that is so popular on the web. Many have spoken and written about this and within certain parameters, I certainly agree. When I see spectacular images like this from Wilson Tsoi, taken with a low-end Canon PowerShot A80, I feel invigorated to take the small camera challenge myself. Then there is this excellent writeup by professional Danish photographer Thorsten Overgaard. He is a Leica shooter but loves his old, lower end Leica Digilux 2 which was introduced in 2004. I just love his understated images and they are also a source of inspiration for me. Over the years, I have a better understanding of what I like to photograph. I have gravitated towards street photography, candid images of people and city life. I’m taking up the challenge of finding interesting observations in mundane places and documenting them. Sure, its fun to go to some spectacular place to take beautiful scenery but can I make interesting images in the everyday places that I’ve been to many times. I like shooting a lot in lower light conditions, either indoors or in the evening or night. And finally, I’ve really like the quality and simplicity that prime, non zooming, lenses give me. These external inspirations as well as my internal interests have molded together to form the input to the new camera system that I’m looking for.

My two camera setup, Olympus E-PL1 with 45mm and 20mm

So how did I end up with this two camera Olympus system when there are so many excellent cameras out there? I talked about the two Sony cameras I’ve personally used. There are great new cameras by Nikon, Panasonic, Fujifilm as well as the famous Leica. I admit that I’m a fairly frugal person. Above all else, price performance is an important consideration. Sure, I appreciate Leica’s legendary image quality and incredible fit and finish but I really can’t justify the $10,000 and up price tag. The $1,200 Fujifilm X100 is an enticing camera and I’ll have to confess that I’ve spent many a night researching and dreaming about the camera. It’s on the upper end of what I was willing to spend but it has some spectacular capabilities . I’ve played with a friend’s X100 and thought about it a lot. I had my inexpensive Olympus E-PL1 with a kit lens at the time but I was willing to switch to the X100 if it made sense. Ultimately, I decided to get the Panasonic Lumix 20mm f1.7 lens for my Olympus instead. This lens gives the Olympus a similar angle of view as the Fuji X100, 40mm vs 35mm. And while the Fujifilm has a larger and better low light sensor, I came to the conclusion that the built-in image stabilization of the Olympus generally compensates for the Olympus 4/3 sensor for my type of photography. Based on my friend’s feedback, the Lumix 20mm f1.7 appears to be sharper wide open (at the f1.7 aperture) than the Fujifilm’s f2.0 lens wide open. Indeed, I usually shoot with this lens at f1.7 and at ISO 800 with image stabilization and I can make photographs in most places that I care to. I also believe that focusing with the Olympus is superior to the Fujifiim, especially in low light. The X100 has some strengths over the EPL-1 though, in particularly I love how the Fuji balances flash exposure with ambient light — this is definitely one of the E-PL1′s weaker areas. Panasonic makes some great cameras also in the micro 4/3 format. They seem to be superior for video but I prefer the Olympus color and exposure and the Panasonic cameras lack that all important in-body image stabilization. I can’t overstate how important image stabilization (IS) is for the type of shooting that I do. Sure, IS does not freeze action, but it allows me to get higher quality images for static scenes, so much so that I often get superior results with my small Olympus compared to my big Canon 7D. There are other things I like about the camera and I talk about the good and the bad in my detailed Olympus E-PL1 review. Finally, there is the new Nikon 1 system. There is a lot to like about the new camera but right now there are two things holding me back. First, they don’t have any large aperture prime lenses, I’m sure that this will be remedied in the near future. The camera lacks in body IS which probably means that their future prime lens will also lack IS. This is a concern but we will see what the future brings.

I recently add the Olympus 45mm f1.8 lens to my kit. My initial test confirms that this is a spectacular lens and it gives me the capability to make images that are different from the 20mm f1.7. It creates a shallower depth of field and would also make an excellent portrait lens. I’ve shot quite a bit with just the 20mm and at times, I wish that I have more reach. There is only so much you can do when you zoom with your feet. The 45mm, which is equivalent to 90mm in 35mm terms, gives me that extra reach when it is needed. For a brief time, I actually considered getting the Fujifilm X10, which is the less expensive baby brother to the X100. It has a 28mm – 112mm equivalent fast f2.0 – f2.8 zoom. At $600 it more expensive than the $400 45mm Olympus lens but it would give me more flexibility. In the end I opted to go with the higher quality with the 45mm lens which will give me the range I want but in a somewhat less convenient package. Then, I noticed a deal at Cameta Camera that I found too to good to pass up. Cameta is where I originally purchased my E-PL1 kit and they had a spectacular deal. They had a factory refurbished body only E-PL1 for $179. They go in and out of stock on the refurbed units but the deal is still there as of this writing. You can check out their refurbished Olympus deals here. I figured If I get the second Olympus body, I can have the 45mm lens mounted full time on the new body and have the 20mm on my other. Ever see those photo journalists or wedding photographers that have two DSLRs with them, strapped to their body? They usually have a wide angle zoom on one body and a telephoto zoom on the other. Well, I guess my new two Olympus camera set up is the poor man’s version of this. I’ve taken this two camera setup several times now on my photo walks and its been working great. I get to use two identical bodies so the controls are exactly the same. I also get to quickly switch between a normal 40mm view and the 90mm telephoto view. On a recent conversation with Kirk Tuck, local professional photographer and blogger, he mentioned that the old Leica CL system shipped with two lenses, a 40mm and 90mm. Intrigued, I did some research. It turns out that back in 1973, Leica worked with Minolta to come out with the Leica CL. Here is some background on it, if you are interested. So my two lens setup with a 40mm and 90mm wasn’t a complete fluke. I guess it does make for a decent setup.

So is this the perfect system and am I completely covered? Well no but this setup should cover much of my daily needs. It would be nice to add a wide-angle to the package, like a 24mm. Olympus did recently release a really nice 12mm which is 24mm when you consider the crop factor. It’s a bit pricy at $800 so I won’t be getting it anytime soon. I have the Sony NEX-5 with the 16mm lens which is equivalent to 24mm on that system. So, when I want to shoot wide, I’ll use the NEX-5 in conjunction with the E-PL1. The major weakness I see in the current Olympus E-PL1 is the video. It’s only adequate but not especially great. Video is not a major component of my photography and I’m still looking for the elusive do all video and still image camera. The camera market is rapidly changing right now and until something remarkable comes out, I’m set with the current Olympus system. There are no more equipment excuses. I just need to go out there and continue to practice my photography.

Here is a sample of my work using the Olympus E-PL1. I’ve posted them on my one-photo-per-day photo blog, mostlyfotos. There are a lot of images so click the << Previous Photo link to see more. You can also hover over the photos to see the exposure information.

Coffee with Kirk and Frank, Life’s Good.

Cafe Life, Caffe Medici - Austin, Texas

Cafe Life, Caffe Medici – Austin, Texas

I had a delightful time at the Caffe Medici last Sunday and I’m not even a coffee drinker. Of course, for me, it’s about the people I’m with and not necessarily about the drink, though serious coffee drinkers may disagree. What makes this special is it was all unplanned. It all came about because I decided to change my usual pattern and do something different. As I mentioned in my previous post, I was dropping my parents at the airport and decided to take a photo detour through downtown.

After I captured some contrasting flora, I headed south toward the train tracks. I’m constantly amazed by the pace of change and the new development in downtown Austin. It’s a trend that I like. Now, parts of downtown actually resembles a real city with the critical mass of buildings, people and businesses to make it a living entity. The train situation is decidedly backwards and depressing. Tucked away at the end of the downtown core is a pathetic, small AMTRAK station. Quite understandable since we probably get one or so trains passing through the city per day. Maybe because I’ve grew up in the East Coast and have visited the great train cities in Europe and Japan, but it just saddens me that such a great and growing city like Austin has such a diminished rail presence. Yes, cars now rule the country and Austin is no exception. Stepping over the rails and shooting the newly rising downtown condos, I hear a familiar voice. Well, if it isn’t my friend Kirk Tuck, commercial photographer and blogger from the very popular Visual Science Lab. He was riding his very cool and sleek Bodhi Electric bike and was on his way to his own photo excursion. He was generous enough to let me tag along and we headed east towards the center of town.

We were busy making our compositions when Kirk remarks, “Is that Frank?”. “You mean, our Frank?”, I responded. Yes, it was Frank, another one of our photo friends. He too was walking along with this camera, practicing his craft. So now, 3 strong, we continue east towards a 2 block area that almost resembled New York City in activity. There were tons of pedestrians, people at outdoor cafes and even a loud siren from a passing fire truck. Of course, what was cooler than the Big Apple was the fact that people could eat outside and stroll around in long sleeve T-shirts in the middle of January. Yes, we suffer through the summers here in Austin, but in winter, we get to enjoy these outdoor cafĂ© sitting days. Frank had his new Olympus E-P3, while I carried my trusty E-PL1. Ironically, Kirk had his Nikon V1. Ironic because, Kirk, through his blog, had influenced me to get in the Olympus Pen gear and he most likely influenced Frank too. Maybe Frank and I are just a step behind Master Kirk. Maybe in a year or so we too will be sporting the small Nikons. Of course, by then Kirk will be at the forefront of the next big camera trend.

Window Logo, Caffe Medici - Austin, Texas

Window Logo, Caffe Medici – Austin, Texas

I knew where we were headed since Kirk and Frank are big coffee drinkers. The Caffe Medici at the base of Austin’s swankiest Condo, the Austonian. And though I didn’t drink the stuff, I knew the company will be interesting and the conversation would be good. Of course we talk about photography, the industry, hardware trends, the photography business as well as about blogging. We shift into other topics, take pictures of the interesting people that surround us and then drift back into conversation. Photography has been a source of creativity and challenge but equally important has been the friends I’ve made along the way. Meeting people face to face during photo walks and the eating and drinking that follows has truly improved my well-being. I’ve greatly expand my circle of friends. I read once that men, unlike women, tend not to have enough friends and social interactions, especially as they grow older. Pre-photography, that was probably true for me too.

Beyond enjoying the photographic craft and making new friends, the quest to make images have gotten me out of my old suburban patterns. You know the one where you get into the hermetically sealed car, open the garage door and drive the suburban loop roads to the industrial park. Very little interaction with real people. Now, I make frequent trips to downtown Austin, where on foot, I get to experience the real life. It is not always pretty or controlled like the suburbs but there is an authenticity that the new simulated pseudo-cities called life-style malls lack. You know these new malls, the ones that are outdoor and have fake town squares in them to give you the impression that they are real urban places. Now I walk the streets of downtown Austin, observing, capturing images and if lucky run into friends and strike-up conversations in cafes — even if I don’t drink the coffee.


Here is Kirk’s post about our chance downtown encounter.

Also, here are a few more images that I shot between our conversation at the Cafe. I used both the 20mm f1.7 lens and the 45mm f1.8 lenses on the Olympus E-PL1. Please make sure to click on a photograph to see a larger image and hover over the photo to see the exposure details.

Drinkable Art, Caffe Medici

Drinkable Art, Caffe Medici

Preparation, Caffe Medici

Preparation, Caffe Medici

Bethel #1, Caffe Medici

Bethel #1, Caffe Medici

Bethel # 2, Caffe Medici

Bethel # 2, Caffe Medici

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