The light and sunset were nice tonight as SXSW (South by Southwest) kicked off today. It’s Austin’s big multimedia, film and music extravaganza. I was downtown with my friend Mark shooting the Olympus OM-D E-M5 Mark II. No playing with high-resolution settings tonight. Just one lens, no tripod and I was in serious street photography mode. And, for a big change, I only used one camera, if you exclude the iPhone.
Cesar Chavez street was decked out with a faux Bates Motel and the new 1000 room JW Marriott was fully operational to greet the onslaught that will overload Austin for the next two weeks. I did a fair amount of shooting tonight and will do more next weekend. I’m going to be busy for the next week but will be back with much more to talk about.
This HDR photo is imperfect but I’m happy with the result. It was hand-held and considering the movement of the camera and the people, the software did a decent job. Sometimes you’ve got to go with what you have. The dynamic range was such that I knew a single exposure won’t do the scene justice.
With SXSW, the Austin Rodeo and new cameras to play with, I’m going to be busy with lots of content. It’s too bad that I keep on falling behind with the other blog topics. I still have more to talk about regarding the Big Bend trip, the recent trip to Japan and the slew of other photos that I shot last year. I’m not optimistic about catching up, anytime soon, but I’ll try to vary the content to keep things interesting.
See you soon.
I’m leaving tomorrow for a week in California. I’ll be working for most of the trip but will try to squeeze some photography time up in the City by the Bay. Yup, San Francisco. I’m bringing the Olympus OM-D E-M5 Mark II, the small Pentax Q7 system and possibly a small film camera.
Nearly 2 years ago, I tested and reviewed the then new Olympus Pen E-P5 with shots from San Francisco. I’m looking forward to putting the Mark II though it’s paces. I’ll shoot street photographs but will also test the high-resolution 40MP mode.
Here in Austin, I’ve been shooting the Mark II and even recording short videos. There’s a lot to like about the camera. Every iteration of the Olympus micro 4/3 cameras adds a new level of refinement and gets closer to perfection. Is it perfect? No. Nothing is, I guess. There’s still a few things that I wished worked better. I’ll certainly talk about those in the upcoming review.
The photograph up top, I shot it on 6th Street, a week ago. I really like how the E-M5 Mark II handled the colors and light. I shot it in JPEG with minor post processing. The 17mm f1.8 works really well for this kind of thing.
I’ll be back in about a week, hopefully with some decent photographs from San Francisco.
You know I’ve been playing with film lately. Well, I’ve taken the next step. I’m now shooting medium format. I’m dipping my toe in the water and have experimented with the first two rolls. Boy, am I liking the results.
I’ve always heard how great medium format is, and I’ve been curious, but was intimidated. I would love to shoot medium format digital, but even with Pentax’s ground breaking 645Z, we’re still talking $10,000 for body plus lens. And the other companies, think $20,000 and up for their setup.
Film, of course, is different. I conveniently get to take advantage of all the people who have abandoned film for digital. Except, as I learn more about the film, I think I’ve gotten the better deal. I consider myself a technologist but I have to admit that old analog tech has some wonderful advantages.
I actually started shooting medium format before my trip to Japan. But with all my other posts, I’m just getting around to talking about it. It all started late last year, when I saw a beautiful used Mamiya 645E at Precision Camera. It was in fantastic shape and a complete kit with a 80mm lens was just $375. I jumped at the chance. The fine folks at Precision showed me how to load the 120 film and operate the camera. My feeling of intimidation dropped considerably.
Wondering how medium format is different from 35mm film or digital, image quality wise? I was and that’s the reason I wanted to play with it. The best way to describe medium format is that it has the sharpness and detail of digital but with the wonderful color of film. Viewed at 100%, there is still a slight grain, but it’s very mild, certainly a lot smoother than 35mm. On my 27 inch monitor, full screen, the detail is eye-poppingly sharp but with the mellow warmth of film.
Of course no camera test will be complete without Lucky. The Mamiya 645E was a relatively inexpensive camera (for medium format) when it was introduced 15 years ago. It was an entry-level model which cost less than $1500 for a complete setup. It’s not the most refined camera but perfect for getting into the format, inexpensively. Well the mirror slap from the camera was so loud that poor lucky neatly jumped out of his skin.
He got used to it and I took a few more frames. Hand holding this beast indoor is not optimal but I got this terrific shot. The depth of field is ultra shallow and the details, ultra crisp. I’ve been using Kodak Portra 400 film since I’m most familiar with it.
I’ll talk a lot more about the camera and will show interesting comparisons in upcoming posts. It’s interesting, my range of cameras are broader than ever. I’m now shooting with this fairly large medium format DSLR but also with the small sensor Pentax Q7. In a strange way, the two cameras compliment each other. The Q7 is very small, fast and free-form. The 645E requires discipline and precision. It’s fun because I shoot differently and learn skills which, I believe, strengthen each other.
I need to find new places to shoot in Austin. It’s easy to fall into set patterns and end up shooting in the same places all the time. I realized this when I posted my post Christmas color photos. I think the images turned out fine but they’re nothing new. Congress Avenue to 6th Street. It’s a route that I always take and I’m sure even the out-of-towners that visit this site are starting to recognize the same places.
Luckily, Austin is a growing city with new buildings and new angles to explore. I recently rediscovered the area around the Pfluger Pedestrian Bridge on the western edge of the Central Business District. I started to shoot in that area, especially during the day, but I’ve yet to apply my night-time HDR technique. I went down last week to see what I could find.
I must say that this part of town is really developing into a nice residential area. It’s quiet, for now, with not many bars and restaurants. That may change once the Seaholm Power Plant redevelopment finishes. Curiously there are several fitness related stores and gyms in the area. No doubt catering to its proximity to Austin’s Hike and Bike Trail.
The Pfluger Pedestrian Bridge is also part of the Hike and Bike Trail and it connects the two halves of the trail on either side of the river. The bridge affords some nice views of the growing skyline but it also works well as a leading line that curves its way towards the new residential towers.
I also explored around the bridge from ground level. I managed to find some atypical angles that worked especially well with the wide-angle lens on the Pentax Q7. Austin is growing large enough that I need to get off the typical routes to find new and interesting compositions.
A park separates the residential district from the new Seaholm redevelopment. I remember seeing the glowing “City of Austin Power Plant” ever since I moved here more than 20 years ago. The plant was shutdown in 1989 but the building stood proudly, undeveloped for all these years. I had a unique opportunity to photograph inside Seaholm 4 years ago. It was years before redevelopment but plans were then being made to use this structure as a centerpiece. It’s nice to see that the redevelopment is now in full swing. It’ll be fun to photograph once it reopens and perhaps the developer will let me shoot the same angles that I captured 4 years ago.
The bridge you see over the park is not the Pedestrian Bridge. It’s a larger rail road bridge that carries freight and the occasional Amtrak train. A train passed as I was shooting this, which you can see as a blur atop the bridge.
There’s still raw undeveloped patches which, no doubt, will be nicely integrated in the neighborhood. This brightly lit tower is nearing completion and there are plans for a lot more residential and office towers. The 2nd Street District will eventually connect to this area and bring a much-needed east to west pedestrian flow.
Beyond finding new places to photograph, one of my rationals for shooting here is to document the development. In a few years, this place is going to change tremendously. Nice to have the before photographs for historical comparisons.
I’ve been out of sync with my holiday rituals since getting back from Japan. By the time I fully recovered from jet lag, Christmas was upon us. I realized that I didn’t shoot my usual downtown holiday photos including my yearly documentation of the Driskill Hotel Christmas tree. Even though it was after the fact, I went downtown on the 26th and created these images.
Downtown was quieter than usual, especially for a Friday. No doubt the usual revelers where taking it easy after Christmas. I had my Pentax Q7 with my 08 Wide-angle, the 01 Standard Prime and a tripod on hand for a super compact system. I headed down Congress Avenue and captured the Paramount Theater and the colorful Kruger’s Jewelers before turning on to 6th Street towards the Driskill.
You think after the 6th time, I would get bored of this, but every year the Driskill Tree changes. I shoot it differently too and with a variety of cameras. This year’s tree look skimpier then in years past. Also with construction off to the side, I shot closer than usual, which changed the angle and framing. Luckily I’m back to shooting with a super wide-angle so I got everything if frame, including the stained glass.
As long as I was on 6th Street, I wanted to further test the Pentax Q7 and create HDRs. The Soho Lounge’s blue neon is a frequent subject and with fewer people than normal, I got less of the distracting motion blur. Just enough to express motion but not enough to obliterate details.
Across the street, the most lively place seemed to be the Bat Bar, at least on the outside. A women frequently performs light twirling by the window that attracts attention. I also like the blue lights and colorful laser spots that adds to the visual interest.
Satisfied that I got what I came for, I switch to the 01 Standard Prime and shot free hand. I tested the high contrast black and whites that I often did in Japan for that dark and moody look. Tokyo is very bright at night and those black and white shots were easy to do. 6th street and many places in the U.S. are a lot darker — would the Pentax Q7 work here in America? I’ll post those images separately to see what you think.
I remembered that there was Christmas Tree in front of the Texas State Capitol so I headed back up Congress Avenue. While it’s tempting to shoot the Christmas Tree and the Capitol together from the street, I found that too much of the building is obscured. I couldn’t find a balanced composition that I liked. From the capitol grounds, however, I like this shot of the tree looking south.
Turn the other way and you get the view of the Capitol. The damp heavy air seems to give a soft glow around the lights. I think there’s a nice mood here and luckily without many people. Perhaps I should go downtown again after Christmas next year. It may be the perfect time for some quiet photography.