Urban Landscape + Lifestyle Photography

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Shooting the Olympus E-P3 in a sea of Leicas

Jacquelyn's Leica M6, Peter Turnley Lecture - Austin, Texas

Jacquelyn’s Leica M6, Peter Turnley Lecture – Austin, Texas

A few weeks ago I attended a photography lecture given at the Blanton Museum of Art on the University of Texas campus. Peter Turnley was the guest speaker at the Icons of Photography series hosted by ACP, The Austin Center for photography. I got there an hour early so that I can take photographs, a consequence of having a photo blog; you need a constant source of new images and it forces me to get out there and shoot all the time. That night I brought one camera and one lens, the Olympus E-P3 with the Panasonic Lumix 14mm f2.5. The 14mm prime is probably smallest lens in the micro 4/3 line up. When paired with the E-P3, it makes for a very compact and stylish retro-modern camera.

Registration, Peter Turnley Lecture - Austin, Texas

Registration, Peter Turnley Lecture – Austin, Texas

Jacquelyn and Glen, Peter Turnley Lecture - Austin, Texas

Jacquelyn and Glen, Peter Turnley Lecture – Austin, Texas

During the pre-lecuture get together, I noticed an abnormally large number of Leicas, carried by the attendees. Very strange, even if I knew the ACP events tend to attract the more serious, photography purists. It turns out that this particular event was co-sponsered by Leica and some Leica camera club members from out-of-town made the trek to Austin to hear Peter speak. Peter Turnley, a photojournalist who shot for Newsweek, uses many different kind of cameras but some of his famous, early work were shot in black and white and with a Leica. With the Leica connection established, I now understood the atypical skew of photography gear. And the Leicas looked very comfortably at home in a place like this; they look beautiful, classic and not oversized. The few DSLRs at the pre and post lecture gathering looked out-of-place. The people who used them look like event photographers at a corporate media shindig. The size of the DSLR attracted attention and didn’t seem to fit the vibe of the place or the gathering.

Lecture Hall, Peter Turnley Lecture - Austin, Texas

Lecture Hall, Peter Turnley Lecture – Austin, Texas

Inspired, Peter Turnley Lecture - Austin, Texas

Inspired, Peter Turnley Lecture – Austin, Texas

My E-P3, however, worked perfectly. It was small, good-looking and didn’t stick out. While it didn’t have the Leica’s range finder style, the retro curves and small 14mm lens echoed the same feel as a classic rangefinder. while Leica users might disagree, I find the Olympus eminently more usable. It auto focuses, quickly and quietly. I can shoot away and experiment without worrying about film. Its high ISO capability is better then the digital Leica M8 or M9. All this and my Olympus E-P3 was considerably smaller than the Leicas. Now I do know the Leica have their strengths. Their optics are legendary, the full frame film or sensor (in the M9) is going to have more shallow depth of field and in good light, they can take some amazing photographs.

After the Lecture, Peter Turnley Lecture - Austin, Texas

After the Lecture, Peter Turnley Lecture – Austin, Texas

But here is the deal. For a small fraction of the Leica price, I have a camera that’s arguably much more functional. It fits in at the same type of places without standing out like a DSLR and I can shoot and keep shooting. I believe cameras are made for creating photographs. And no matter how beautiful Leica makes them look, why carry a camera around if you are not going to shoot it. With the exception of my friend Gary, who shot so much with his film Leica, I thought he had a digital M9, I didn’t see much photography going on. Now to be fair, maybe taking photographs at a gathering is not their style. After all, while street shooters might like this environment, fine art photographers may find it uninteresting, photographically. Perhaps the Leica owners thought it was a waste of their film and their money to shoot there. But with all these awesome, beautiful cameras around, I found them somewhat underused. And that is what separates my E-P3 from the sea of Leicas. My camera gets used extensively to feed images into my blogs but more importantly I enjoy creating images and improving my photography.

After the Lecture, Peter Turnley Lecture - Austin, Texas

After the Lecture, Peter Turnley Lecture – Austin, Texas

Truth be told, I’m also somewhat guilty of having a Leica on display and not shooting it. My father gave me a beautiful Leica M3, which I have in a display cabinet at home. I don’t shoot film and while I admire the M3 for its beauty and craftsmanship, I’ll take an Digital Olympus for its ease of use and lower ownership cost. I may shoot the M3 someday, if it still works. For now, my E-P3 and other Olympus digital Pens are my cameras of choice. And if I ever shoot in a sea of Leicas again, I may have to put a bumper sticker on my Olympus that says, my other camera is a Leica M3.

Book Signing, Peter Turnley - Austin, Texas

Book Signing, Peter Turnley – Austin, Texas


I took these photographs with my Olympus E-P3 with the Panasonic Lumix 14mm f2.5. Please make sure to click on a photograph to see a larger image and hover over the photo to see the exposure details.

See more images taken with the Olympus E-P3 at mostlyfotos, my one photograph per day photo blog.

Are you interesting in the camera I used to take these photographs? Here are the links to the Olympus E-P3 in Black or Silver from Amazon. I used the Panasonic Lumix 14m f2.5 lens which is sold separately. If you are thinking of buying this camera or lens please use these links. You will get the same low Amazon price and I’ll get a small commission, which helps support this site.

Eeyore’s, The Last Remnant of Hippie Austin

Blowing Bubbles, Eeyore's Birthday - Austin, Texas

Blowing Bubbles, Eeyore’s Birthday – Austin, Texas

Eeyore’s Birthday Party is something that I’ve head of, ever since I moved to Austin 20 years ago. It’s an Austin spring ritual and after all these years, it’s still supposed to have a 60s, hippie vibe. For the longest time, I really wasn’t interested in going. I never identified with the 60s, I’m probably more a product of the 70s. As my love for photography increased, however, I began to take more trips downtown and to events around Austin. Eeyore’s started to peak my interest but my schedule never seemed to work out. Also, as my friend Kirk Tuck mentioned, Eeyore’s Birthday Party is something best photographed with a smaller, intimate camera. Kirk has covered Eeyore’s many times on his blog and this year he again talks about using one camera and one lens to best cover the event. I felt a bit self-conscious bringing a larger DSLR to the event, so in the past, I used this as an excuse to stay away. This year, with my new-found love for smaller cameras, especially the Olympus Pen series, I finally had the perfect small camera to use.

Dancer, Eeyore's Birthday - Austin, Texas

Dancer, Eeyore’s Birthday – Austin, Texas

I got there early, right around noon, and stayed several hours. I’m told the place really doesn’t get hopping until later in the day. Even so, I found an interesting mix of people and a large contingent of photographers. To my surprise or maybe disappointment, many sported fairly large cameras, some with multiple DSLR bodies with large telephoto lenses. I found this a bit strange I guess; it just didn’t meet the expectation of the environment that I had imagined. After all we weren’t going on a safari where we were trying to photograph wild animals at a distance. I was expecting a more intimate, crazier and more free-spirited place where outsiders with large, tactical cameras would feel out-of-place. There were lots of eclectic people around, in costume, but there were more onlookers than participants. I too was a mere onlooker with a camera, not wearing any special garb. And just because I sport a smaller camera, it doesn’t mean that I necessarily fit in better than someone with a larger camera. Equipment aside, I do think, however, that my style of shooting and engaging with my subjects gets me closer to the event. Certainly compared to someone who uses a large telephoto lens. I didn’t shoot the action from afar; I was shooting amidst the people dancing and celebrating. I created portraits, up close, with permission.

Dee, Eeyore's Birthday Party - Austin, Texas

Dee, Eeyore’s Birthday Party – Austin, Texas

Stephanie, Eeyore's Birthday Party - Austin, Texas

Stephanie, Eeyore’s Birthday Party – Austin, Texas

I brought two cameras with me, tucked away in a small, brown, Domke camera bag. I had my Olympus E-P3 with the Olympus 45mm f1.8 lens and my second camera was a Olympus E-PL1 with the Panasonic 14mm lens. Overwhelmingly, I used the 45mm lens that day which makes for an excellent portrait lens. It also gave me enough distance that I can shoot the action without being in the face of my subjects. I found the 14mm, which is equivalent to a 28mm after accounting for the crop factor, too wide for Eeyore’s. There was too much clutter shooting the crowds and I found the deep depth of field too distracting. By shooting the 45mmm with a large aperture, I was able to reduce my depth of field to better isolate my subjects. You can still see the crowds but they are slightly out of focus which makes for a cleaner composition.

Banjo Fiddle, Eeyore's Birthday Party - Austin, Texas

Banjo Fiddle, Eeyore’s Birthday Party – Austin, Texas

Drumming Elf, Eeyore's Birthday Party - Austin, Texas

Drumming Elf, Eeyore’s Birthday Party – Austin, Texas

There was much to photograph but I ultimately concentrated on taking two types of pictures. I shot candid images of people in the drum circle. This seemed like the heart of the event and the most interesting people congregated there. Exposure wise it also worked well since the area was shaded, allowing me to get better quality images. Mid-day direct sun is nasty lighting and best avoided if you can. I also took portraits of the more colorful personalities that I encountered. Since I’m taking a lot more street candids these days, I feel less intimidated going up to people and asking for a portrait. Especially here at Eeyore’s. You can bet that if a person went to the trouble of getting dressed up, they would feel honored to pose for a photograph. For photographers who are shy, this type of place is a perfect opportunity to practice asking people. If you missed Eeyore’s or don’t live in Austin, think of other events where people would love being photographed. Certainly Halloween parties and Street Parades are places that come to mind.

Ciara, Eeyore's Birthday Party - Austin, Texas

Ciara, Eeyore’s Birthday Party – Austin, Texas

Olivia, Eeyore's Birthday Party - Austin, Texas

Olivia, Eeyore’s Birthday Party – Austin, Texas

Lilly, Eeyore's Birthday Party - Austin, Texas

Lilly, Eeyore’s Birthday Party – Austin, Texas

The early part of the day was cloudy which worked out great for taking photographs. Even mid-day, overcast skies softens the light and prevents that really harsh lighting and shadows that can ruin a portrait. Later, the clouds began to break and I had to contend with the harsh sun; photos under these conditions are not great. On portrait shoots, I would ask the subject step under an awning or get into a shade of a building, though usually, I would not schedule a portrait session for mid-day, if I had the choice. At Eeyore’s I just shot wherever and whenever I ran into an interesting subject. These next three photographs were taken in varying degrees of direct sun. Shooting in RAW mode allows some post-processing latitude which can improve images somewhat but it’s still not ideal. In cases like these, using a fill flash, outdoors, can also soften the shadows. Here is where my little Olympus Pen is at a disadvantage. The small, built-in pop-up flash won’t help too much. Attach an external, powerful flash especially with high-speed syncing capabilities and you can end up with decent images in direct sun. When I use my Canon 7D, this is the way I shoot outdoor events. Of course, an external flash can be attached the Olympus Pens too but the ergonomics of a big flash and a small camera body is not the best.

Sonia, Eeyore's Birthday Party - Austin, Texas

Sonia, Eeyore’s Birthday Party – Austin, Texas

Sara and Lilly, Eeyore's Birthday Party - Austin, Texas

Sara and Lilly, Eeyore’s Birthday Party – Austin, Texas

Beth and Lina, Eeyore's Birthday Party - Austin, Texas

Beth and Lina, Eeyore’s Birthday Party – Austin, Texas

While having a DSLR with an external flash may work better for reducing the effects of harsh light, using the E-P3 was a blast. I can carry it and another camera with ease. After hours of use, the equipment didn’t dragged me down. It also think it works better for the closeup, intimate portraits that I made; the camera is unobtrusive and non-threatening. I was also surprised that three people at the event thought that my little Olympus was a film camera. I guess the retro influenced styling is distinct enough to be noticed by non-photographers too. During Eeyore’s I ran into a couple of photographers that I knew, including Kirk Tuck. He was sporting his new Sony and a single lens. We talked for a few minutes, shot some around the drum circle, and went our separate ways. It was also fun to see his work, on this blog. Though we both packed light and shot with basically a single camera (I hardly took any pictures with my second camera), his style and mine are different enough that I enjoyed seeing another point of view; the images are both recognizable and different at the same time.

Finally, I present the last two photographs. The hula hoop dancer wins my vote for having the best time. I think she best shows the fun and energy of the event and matches my imagination of what Eeyore’s Birthday Party is or was in the past. The second photograph of Patricia and Sallie wins my award for the most color coordinated. Gotta love how they match in color down to their umbrellas and how the green and red primary colors creates contrast. A wonderful sense of style and something you don’t see everyday.

Hula Hoop Dancer, Eeyore's Birthday Party - Austin, Texas

Hula Hoop Dancer, Eeyore’s Birthday Party – Austin, Texas

Sara and Lilly, Eeyore's Birthday Party - Austin, Texas

Sara and Lilly, Eeyore’s Birthday Party – Austin, Texas


I took these photographs with my Olympus E-P3 with the Olympus 45mm f1.8 lens. Please click on a photograph to see a larger image and hover over the photo to see the exposure details.

Olympus E-P3, First Impressions

Downtown Silhouette and Sunset - Austin, Texas

Downtown Silhouette and Sunset – Austin, Texas

My latest camera acquisition started with a quest to get a new point and shoot camera. I’ve been using my two camera setup with great success but I noticed that in India, I had some unexpected challenges. I talked about them in my two earlier posts in this series, Fujifilm X10 vs Canon S100 and The system trumps the individual. Ultimately, I decided to buy a Olympus E-P3 because it seems to meet my needs, it is compatible with my other Olympus cameras and I got a great price. With two hours to spare, I received the new camera just before a downtown photo walk. After skimming through the manual and attaching my Panasonic Lumix 20mm f1.7, I was good to go. I didn’t even have to charge the battery since it uses the same one as my E-PL1. With a fully charged battery or two, I headed downtown to meet my friends.

Texas State Capitol - Austin, Texas

Texas State Capitol – Austin, Texas

Capitol Gates, Texas State Capitol - Austin, Texas

Capitol Gates, Texas State Capitol – Austin, Texas

I parked near the Texas State Capitol and I started shooting on the capitol grounds and down Congress Avenue. The camera feels good in hand. A bit heavier than the Olympus E-PL1 but not enough to ruin the experience. In fact, the camera has a solid feel and the extra heft reinforces its flagship status. The Lumix 20mm, my favorite micro 4/3 lens, looks great attached to my black E-P3, a real compact, classic looking camera. Even my wife commented that it looks retro and old style. The metal and build quality moves the E-P3 several notches above the E-PL1 in visual appeal. While I like the image quality from the E-PL1, I’ve always said it has a cheap and utilitarian feel. Not so with my newest Olympus Pen. It’s premium all the way. Something that you can feel proud of carrying down the street. I like the black model, it looks better with the lenses that I own. The shiny tones of the silver model seems to be mismatched and didn’t give the unified look that I like. Of course this is personal preference and I’m sure there are many that prefer lighter and shinier model.

Classic Cadillac, Congress Avenue - Austin, Texas

Classic Cadillac, Congress Avenue – Austin, Texas

I met my friend, Tony, for a quick dinner before we got together with the rest of the gang. The E-P3 is really fast focusing. A complete change from my pokey older Olympus. Even the relatively slow focusing Lumix 20mm lens does seem more perky on this camera, a change in opinion from my earlier observation. I think that the speed of focus is somewhat dependent on the attached lens however, even slower lenses do seem more responsive. Inside the restaurant, I shot some low light scenes and I did encounter focusing issues. This surprised me somewhat since I was expecting, not just faster focus, but good focusing in any situation. I distinctly felt, at the time, that my older E-PL1 had less trouble focusing in similar situations, however I could not test out this theory; I didn’t have my older camera with me. Perhaps focusing ability is dependent on the size of the focus point. The E-P3 has the ability to change the focus point size and maybe a smaller area may have more difficulty in darker, less contrasty places. At the time, I didn’t think about making the focus area larger, something to test before my full review. This low light focusing experience is not a deal breaker though. After further usage, in many other situations, I have not experienced low light focusing problems. And even in this dark bar, I was able to focus on and shoot Madelyn with no problem. I’ve always loved the glow of technology on people’s faces.

Madelyn, Roaring Fork - Austin, Texas

Madelyn, Roaring Fork – Austin, Texas

Tony and I left the restaurant and we gravitated towards the setting sun. That day, the light was particularly magical and we followed our instinct west along 6th street. I’m not sure why the color looks better on certain days even though the cloud formations look similar. I wished I was up on a hill shooting some breathtaking landscape with the sunset I experienced that evening. Instead I have a nice photo of traffic and road construction. The image at the top of the post was also from this spectacular sunset. Unfortunately, I made the mistake of having my camera set on ISO 1600 for some of the shots. Something I forgot to reset after leaving the dark restaurant. This is the kind of mistake that I rarely make anymore, perhaps I’ll blame it on my new camera. After all, its been only a few hours that I started shooting it. Now a days, I rely upon auto ISO and the Olympus cameras are smart enough to use it well. On my E-PL1, I have auto ISO set up to 800. To my great surprise, the E-P3 does have better high ISO performance. My pixel peeping on the DPreview test images seem to show comparable performance between the E-PL1 and E-P3. My own tests tell me that the ISO performance is better by 2/3 of a stop. Even at ISO 1600, the noise is finer and less blotchy, it cleans up well using noise reduction software. Consequently, I have now upped my auto ISO setting to 1600 on the E-P3.

West 6th Sunset - Austin, Texas

West 6th Sunset – Austin, Texas

Lobby Glow, 300 West Sixth Street - Austin, Texas

Lobby Glow, 300 West Sixth Street – Austin, Texas

Bar Louie at Blue Hour - Austin, Texas

Bar Louie at Blue Hour – Austin, Texas

We headed to the Driskill Hotel to meet two other friends for an evening photowalk, to shoot the night life on East 6th street. Three out of the four people on the walk own DSLRs but chose not to use them. I had my micro 4/3 camera, both Tony and Steven used new Ricoh point and shoots (they got a great deal on Amazon.com) and yet another Steven was playing with the Nikon P7000 point and shoot. Steven, that brought the Nikon, like me, just got his camera a couple hours before the walk. The gathering was a relaxed affair. All of us were experimenting with our new cameras, getting familiar with their controls and testing their limitations. I find that more often, my photowalk buddies, who all have DSLRs, choose not to use them and go with smaller cameras. Of course, I like my Olympus Pens because, while they are not much larger than point and shoots, they run circles around them in image quality. For me, they are the perfect balance between size and quality.

Front Desk, Driskill Hotel - Austin, Texas

Front Desk, Driskill Hotel – Austin, Texas

Red Neon Glow, Jimmy John's - Austin, Texas

Red Neon Glow, Jimmy John’s – Austin, Texas

Shooting the Olympus E-P3 be be summed up in one word. Fun. The camera is fast, compact and handles very well. This is the funnest (I know this is not a real word) camera I’ve ever owned. For street shooting, the touch screen works great to quickly set the focus point. You can also touch and shoot with the touch screen but I prefer touch to focus. Using ISO 1600 and my f1.7 prime with image stabilization means that I can get really good photos almost anywhere at night on 6th street. The image stabilization also seems to be more effective on this camera compared to my E-PL1; I’ve successfully handheld clear shots at 1/10 second. Equally important, the ambient light and flash blending works very nicely. That was the key reason I wanted a new camera. As much as I like the E-PL1, I think its flash exposure is one of its weaknesses. Here is a picture of Tony that I took with flash. I used slow sync which blends more of the ambient light. It was quite dark, the exposure was 1/13sec at ISO 800 at f1.7. I won’t shoot everyone this way since 1/13 second is too slow to capture active kids but the camera and its image stabilization is quite capable. Incidentally, Tony is a professional, classical pianist who plays in Europe, Japan as well as in the United States. He shares a passion for photography and we have become fast friends since I first met him through Flickr. Here is a concert performance I recorded and here is Tony’s website. If you like classical piano, especially Debussy, please check him out.

Tony, 6th Street Portrait - Austin, Texas

Tony, 6th Street Portrait – Austin, Texas

The downside. This new camera sucks down batteries. The E-PL1 doesn’t have great battery life, maybe 200 – 250 shots but the E-P3 seemed a lot worse. To be fair, I was looking at the back screen (chimping) more than usual and I was doing a lot of flash testing. These tests all contribute to more energy usage, no doubt, but I need to be more cautious about power management. Luckily, I brought along a spare battery. For heavier shooting, I think I won’t be comfortable without brining two extra batteries. Generic batteries only cost $10 so while the additional battery expense is trivial, it does take more time to charge and manage the extra batteries. This may not be a factor at home, but it does become more significant when on the road. When I was in India and Singapore, it was a constant nuisance to make sure all my batteries were charged. Longer lasting batteries are certainly a plus in these cases.

Bat Bar Sign, 6th Street - Austin, Texas

Bat Bar Sign, 6th Street – Austin, Texas

The Best Wurst, 6th Street - Austin, Texas

The Best Wurst, 6th Street – Austin, Texas

Here is the summary of the Olympus E-P3 after my first photowalk. The camera looks great, shoots fast and has the right feel. High ISO performance is about 2/3 of a stop better and the image stabilization is improved. The flash exposure works nicely but battery performance is down. Most importantly, the camera is a blast to use. I think the high ISO quality is better than my original 2005 vintage Canon Rebel XT and about equal in quality to the equally old, semi-pro Canon 20D. In actual street usage, I get higher quality from this camera than those old DSLRs since I have a higher quality prime lens and in body stabilization. In fact, it might be hard to believe, but I get better night photos with the E-P3 and E-PL1 than with my newest DSLR, the Canon 7D. Sure. if I shoot the 7D on tripod at ISO 100, it trumps the Olympus but for real world, hand-held street photography in lower light, the Olympus rules. The enhancements on the E-P3 just makes it better, all around, than my previous Olympus E-PL1. Oh, and did I mention that the camera is really fun?


I took these photographs with my Olympus E-P3 with the Panasonic Lumix 20mm f1.7. Please make sure to click on a photograph to see a larger image and hover over the photo to see the exposure details.

See more images taken with the Olympus E-P3 at mostlyfotos, my one photograph per day photo blog.

San Francisco, Geometric and in Black and White

AirTrain View, SFO - San Francisco, California

AirTrain View, SFO – San Francisco, California

I recently post processed a set of photographs that I took last month in San Francisco. Several of these images were particularly geometric or architectural and I thought would look good in black and white. Each of these four images share strong lines or shapes that look good when reduced to their basic elements by removing the color. I admit that when I took them, I wasn’t thinking, “these would look good in black and white”. I shoot all my photographs in color, and later in post processing, I convert some to back and white. Different scenes attract and beckon me to make a photograph. It might be because of the color or because of the glow and reflections of light. The carnival rides and food stands in my blog post, Rodeo Austin — tradition, variety and visual richness are a good example. The photographs on this post are entirely different. Color and light are not the most important elements. Consider black and white when the shape of an object or the leading lines are the primary attraction. Consider using black and white when the color detracts from the image or does not add value. I like to clarify and simplify the images by removing the dull uninspiring color.

I shot the top image on the AirTrain at the San Francisco International Airport. I was taking the train to the rent-a-car office and just happened to get into the front car. I saw the large picture window and wanted to use it to frame the view looking north. I shot several photos but this one was the best; the window was centered properly and there was less clutter. It also has the wonderful leading lines pointing towards the mountains. There are good reasons to shoot multiple frames of a similar scene. I decided on the concept but shot multiple frames, since the execution of each photograph changed as the train moved. Some frames had branching tracks and more clutter or some did not have the mountains in the distance. Because I shot often, I threw away the undesirable photos. This is the advantage of digital. You shoot extra frames and pick the best. I know some purists insist that you have a vision for an image and you execute that vision by shooting a single frame. I disagree. I have a vision but I let serendipity improve it. I’m not advocating the you take random photos and hope that something good magically appears; it is important to have an idea for a photograph. But once you have a concept, why not tweak it. Move around a bit, take a few extra frames to see if one is better than another. And if I took some more frames of the first image, I might have created a better photograph. There is part of highway sign on the left and some equipment on the right. Without these distracting elements, the image would be even stronger and simpler. Keep in mind that I didn’t have a lot of time to create this. I didn’t open up a tripod, level the camera and align all the lines. I was in a moving train, with other people and had minutes to capture this image. Other times, the opportunity for a good photograph may only last seconds. You can’t always over analyze a situation. Get the concept, shoot quickly and shoot often.

SFMOMA Stairs - San Francisco, California

SFMOMA Stairs – San Francisco, California

I got my car and drove to downtown San Francisco and ended up in the SoMA (South of Market) area. This is the first time I visited SFMOMA, San Francisco Museum of Modern Art. I’ve seen the exterior many times and I knew it had some neat architecture. I walked into the lobby and noticed the bold stair design at the end of the room; I instantly gravitated towards this feature. I shot many frames but there was a constant flow of people and I could not get a clear, person-less photo. This one turned out to be my favorite. As an architectural image, not having anybody in the frame might be preferable, but I did not have a choice. Having this person on the right does make for an interesting image. She breaks up the symmetry, gives a human element and a sense of scale. Shooting multiple images of the stairs allowed me again to pick the best image.

SFMOMA Skylight - San Francisco, California

SFMOMA Skylight – San Francisco, California

After shooting the stairs, I looked around some more. Nobody seemed to mind so I continued with my photography. I looked up and saw this wondrous skylight and did my best to frame the circle in the middle. I think the positioning of the person on the catwalk could be better and their inclusion in the frame is purely by accident. Perhaps if I took more frames, I could have chosen a better image, with the person positioned in a better location. When post processing, I knew I wanted to increase the shadows, to have a crisp edge where the circle met the dark ceiling. The image was monochromatic except for a pale blue sky. If I could have gotten a rich saturated blue sky, I might have kept the color, however, the pale blue ultimately was not bold enough. By making this black and white, it became all about the circle and the intersecting lines.

Apple at Yerba Buena Center for the Arts - San Francisco, California

Apple at Yerba Buena Center for the Arts – San Francisco, California

The last image was taken a couple of blocks from the SFMOMA. I just happened to be in San Francisco the day before the iPad 3 announcement and Apple had rented the Yerba Buena Center for the Arts for this event. I was not going to the event but thought it would be neat to take some exterior photographs of the venue. There were several other photographs with the same idea, a news crew from Australia and a photographer from a magazine. Normally, I would have waited for blue hour to get the most spectacular image. I’ve mentioned before that I love taking architecture shots at blue hour since the warm yellow glow from the building’s light contrasts nicely against the deep blue sky. I had a limited time in San Francisco so I didn’t want to wait. This image was taken too early and did not have any color in the sky. I think the white sky works better in a black and white photograph than in a color one. I also think the lines of the building and stairs stands out better in the colorless version.

So there you have it, four black and white images, each with its own shape. The first image is a rectangle, the second with hints of triangles, the third is obviously a circle and the last one is primarily of a cube. I think each one works better in black and white than in color. Perhaps these examples might give you some inspiration to do some black and white conversions of your own.


I took these photographs with my Olympus E-PL1 with the Panasonic Lumix 20mm f1.7. Please make sure to click on a photograph to see a larger image and hover over the photo to see the exposure details.

See more images from San Francisco on mostlyfotos, my one photograph per day photo blog.

Street shooting in Karol Bagh market, Delhi, India

Late Night Fruit Stand - Delhi, India

Late Night Fruit Stand – Delhi, India

When we last left the story, I just arrived in New Delhi and got bombarded with my first visual taste of India. I was zipping along in the back of a Tata automobile driven by Mr. Kumar. I was frantically shooting street scenes from the back of the moving vehicle and I arrived safely at my hotel after a short stop at the India Gate. I mentioned previously that I hired a driver for my short stay in the Delhi area. I went through a company called Indian Panorama who arranged everything for me. The transportation between all the places I wanted to visit, a private driver and tour guide to pick me up and drop me off at the right places and even my hotel in New Delhi were all arranged by the tour company. They did a great job and I highly recommend them. For the hotel in Delhi I requested Indian Panorama to find me a 3 – 3 1/2 star hotel in a safe but interesting neighborhood. I told them that I wanted to be near a market place where I would be safe shooting photographs at night. They found the Florence Inn in the Karol Bagh section of New Delhi. After checking in, I quickly organized my photo gear for some street shooting. I had to get up early the next day so I wanted to shoot for only an hour or so and get to bed by around 10pm. I headed out the door by myself for some night-time street photography.

Rugs and Street Vendor - Delhi, India

Rugs and Street Vendor – Delhi, India

The neighborhood was surrounded by modest but clean-looking hotels. About a block away, there was a lively area of shops with many people on the street. The streets were dirty, broken down and generally a mess but the area didn’t seem dangerous. There was nothing I encountered that made me worry about my safety. At least at 8pm – 9pm, the streets were full of people of all ages, shopping, eating and having a good time. It seemed exactly like the place I wanted to street shoot. A dense mix of interesting places and people and with sufficient grit to make me realize this is unlike any place I’ve been before. Everywhere, people seem to be shopping, picking up the daily necessities both from stores as well as street vendors. This was not a typical tourist area catering to foreigners, there were no high-end luxury goods here. Just the stuff that the average Indian would need on a daily basis.

Ordering, Restaurant in Karol Bagh - Delhi, India

Ordering, Restaurant in Karol Bagh – Delhi, India

Closeup, Restaurant in Karol Bagh - Delhi, India

Closeup, Restaurant in Karol Bagh – Delhi, India

Wedged in between stores, I saw Hindu temples and places that sold flower garlands. There were slightly nicer stores right next to stalls that sold shoes and everywhere there were vendors that setup temporary displays on the street. I even saw a McDonald’s amidst the local shops. It seems like capitalism was alive and well in India and everyone had their little niche to make some money and survive. The street life was lively with an inexhaustible supply of people walking around. The density of people was similar to what I see on 6th street in Austin during the weekend party scene but here in Karol Bagh, the people were not partying or being rowdy. They were just going about their business as a small group of tourist wandered among them. The cars, motorcycles, 3 wheeled Autos, bicycles and pushcarts all slowly weaved between the people walking on the street. At first It seemed overly chaotic but it didn’t take long before I mostly ignored the traffic and shot the world around me. I’m not sure how someone from a small town in the U.S. will react to all this. A lot earlier in my life, I grew up in some large cities on the East Coast so I’m somewhat used to the crowds, though the dynamic here is certainly different from, say New York City.

Hindu Temple, Hanuman - Delhi, India

Hindu Temple, Hanuman – Delhi, India

Garlands for Sale - Delhi, India

Garlands for Sale – Delhi, India

WOW Sale at Maya - Delhi, India

WOW Sale at Maya – Delhi, India

Multitude of Shoes, Street Market - Delhi, India

Multitude of Shoes, Street Market – Delhi, India

Fruit Stand and the Golden Arches - Delhi, India

Fruit Stand and the Golden Arches – Delhi, India

I must have walked 5 or 6 blocks from my hotel when I decided to head back. I didn’t want to risk getting lost and besides I needed to get to bed early for the big day of sightseeing. It didn’t take me too long to get a feel for the place but there were things that were certainly different from other places that I have visited. This is the first time I’m in a developing country so I don’t have a lot of context. I don’t know if other developing countries have similar characteristics. While I can understand that there are a lot of litter on the street, I was fascinated by, what appeared to me as, random piles of dirt. They look like piles of dirt you seen around construction sites but I saw these in places where I saw no signs of construction. I also saw a lot of stray, skinny dogs but I don’t recall seeing any cats.

I’m sure it is no surprise that there is still a lot of poverty in India. I don’t recall many people asking me for money that night in Karol Bagh. Maybe I turned on my dispassionate New Yorker mode and chose not to see it. Or maybe my purposeful street shooting kept them at bay. There was one situation that I do recall that took me by surprise. Off near the side of the road there was an old, skinny lady, crouched down. The street scape was dark enough that she nearly blended into the background and I almost stumbled over her. I decided not to take her picture since I felt self-conscious of shooting people who are down on their luck. I also didn’t want to give a distorted view of the place since she seemed like the exception. This shopping district was dirty and chaotic by Western standards but it was far from squalid. There was a vibrant energy and I hope it comes though in my street photographs. I felt a bit of regret for not giving the old lady any money. But I console myself that I really didn’t have any spare change with me. As you may recall from the previous India entry that I didn’t bring much cash with me on this trip. Yeah, it is a lame excuse but it is the only excuse that can justify my actions. There are certainly homeless people in Austin and the rest of the United States. And I usually do not give them handouts either. But somehow, this felt different. The lady was so tiny, forgotten in the corner of this busy street. She was not even actively looking for any help.

Bicycle and Litter - Delhi, India

Bicycle and Litter – Delhi, India

Back Alley Market - Delhi, India

Back Alley Market – Delhi, India

It was a short street photography session but I feel like I captured that flavor of the area, But this was merely a warmup. Tomorrow was my first full day of touring and I was heading out of the city by train. The driver was coming to pick me up at the hotel at 5:30 so I needed to get to bed. And as you will find out in the next installment, there were some unplanned situations at the hotel before the night was out.

Karol Bagh Intersection - Delhi, India

Karol Bagh Intersection – Delhi, India

Ingenious Transportation - Delhi, India

Ingenious Transportation – Delhi, India

Pista Badam Kulfi Vendor - Delhi, India

Pista Badam Kulfi Vendor – Delhi, India

Hot Oven and Gelato - Delhi, India

Hot Oven and Gelato – Delhi, India

This post is part 4 of my travels to India and Singapore, Start from the beginning at, Quite possibly a trip of a lifetime and part 3, New Delhi, India: tired, excited and ready to shoot.


I took these photographys with my Olympus E-PL1 with the Panasonic Lumix 20mm f1.7 and my Sony NEX-5 with the wide-angle adapter. Please make sure to click on a photograph to see a larger image and hover over the photo to see the exposure details.

See more images from India on mostlyfotos, my one photograph per day photo blog.