It’s become a tradition of sorts to shoot the Christmas Tree at the Driskill Hotel. This is the 5th year I’ve done this. Every year, I tend to shoot it from about the same place. I get subtle variations since the shape of the tree changes and my post processing has also changed. But I didn’t shoot close enough to get the details. The decorations that change every year tend to blend into a colorful texture.
This year, I decided to get closer and do multiple angles. While the cameras have changed, the technique remain the same. I shoot on tripod and with 3 exposures so that I have the option of doing HDRs. Despite the years of doing this, there are still two challenges.
First, I find it difficult to center my subject in the middle. Even with a level, which the Olympus E-PM2 does not actually have, getting the plane of the camera parallel to the subject is my biggest pain. I’m not going for perfection so I just eyeballed it. You think after all of these years, this would be easy.
The second challenge is to have patience. The Driskill is Austin’s grand old hotel and there are many tourists that pass through. Creating a photograph without people takes a lot of time and some luck. Of course the easiest way is to probably go there around 3am when nobody is around. I met my friend Mike at 9pm, which was way too early. There was a steady stream of people posing and taking pictures in front of the tree.
People would typically take their photo and proceed to have a 5 minute conversation within my field of view. Of course, I didn’t want to ruin their special holiday moment so I don’t say anything and patiently wait for a chance for 3 clean exposures. I was lucky. I got a few quick breaks that allowed me to get my shots. Mike, on the other hand, probably waited nearly 30 minutes. By 10pm, it was a lot more quiet. Note to self, go there much later next year.
Finally, for something completely different, here is a lightly toned black and white. I purposely included a couple that was admiring the tree.
I hope you have a Merry Christmas and a joyous holiday season.
As I mentioned in my post several days ago, I been shooting the main Driskill Hotel Christmas tree for four years now. But this year, I shot another one, tucked back in the corner on the other side of the hotel. It’s in the Driskill Bar right near the 7th street entrance.
The place was quite dark and I had some doubts if this would come out. I used my Olympus E-PM2 with the 14mm lens on a table top tripod and put it on a cushy ottoman. I shot three photographs at 2 stops apart and use the HDR bracket option that is new to the E-PM2 — this isn’t available on the E-P3. Just to be clear, the HDR bracket feature just takes the photographs, it does not do any in-camera HDR processing.
I used my standard, subtle HDR processing technique to get it just right. I wanted the Christmas tree lights be bright and festive but still wanted to keep the moody, wood-paneled bar feeling. I’m happy with the way it came out.
I hope everyone has a great Holiday Season. I’m shutting things down here and packing up for a family vacation to the East Coast. I may have one more post coming before I go for the rest of the year.
Click on the photograph to see a larger image and hover over the photo to see the exposure detail.
It’s become a mini-photo tradition for me to photograph the Driskill Hotel Christmas Tree — this is the fourth year. I’ve posted images of the tree from 2009 and 2010 and part of a three tree set last year. I went downtown a couple of nights ago with my friend Mike to capture this year’s tree.
While the position of the Christmas Tree remains constant, every year the shape of the tree and the decorations vary. I’ve also used different cameras and techniques over the years. In 2009, during the beginning of my HDR phase, I shot the tree as a 3 image blend with my Canon 20D with a 29mm equivalent. The 2010 and 2011 trees were simply shot with the Sony NEX-5 with 24mm equivalent lens, down low with a table top tripod. This year, I used the Olympus E-PM2 with a 22mm equivalent lens (the Panasonic 14mm f2.5 with a wide-angle adapter) with the same table top tripod.
I decided to go back to a lightly-processed HDR technique this year and blended 3 photos. It enabled me to capture the detail in the stained glass and keep the rest of the exposure bright. I also altered the white balance to more of a warm red just to change my artistic interpretation. I’ll post more Christmas decorations from the Driskill, Austin’s grandest old hotel, over the weekend.
I just download some photographs that I took earlier in the week with my new Olympus 45mm f1.8 and I was so excited by the results that I decided to do a quick blog post. In the post, Canon losing the buzz, why I’m not interested that I posted 2 weeks ago, I talked about my quandary about buying either the Olympus 45mm f.8 or the new Fujifilm X10 camera. Well, from this post, you can tell I went with the Olympus lens. I’ll go into the details of why I chose the lens over the camera in a future post but today, I wanted to show you the results I’m getting with this lens. It was the first real lens test I did outside my house in low light.
This past Wednesday, I went downtown with my friend Mike to capture some holiday images and get together for some dinner. I wanted a picture of the Driskill Hotel Christmas tree, which I’ve shot for the last several years. You can see that shot I got, along with some other noteworthy trees in my previous post, Three Christmas Trees for the Holiday Season. I used my Sony NEX-5 for that wide-angle but I also brought along my Olympus E-PL1 with the 45mm f1.8 lens to give it a workout. The results are spectacular and I’m very excited by the first real test results. The nice shallow depth of field and the fantastic bokeh (the quality of the out of focus areas) was what I was hoping for with this lens. So far, I am not disappointed.
I took a bunch more photos with this lens that night but I just wanted to show the images from the Driskill Tree in this posting. All of the images were shot at ISO 800 and wide open at f1.8.
Make sure to click on a photograph to see a larger image. Hover over the photo to see the exposure details.
A 45mm lens on a micro 4/3 camera like the Olympus has an 35mm equivalent of 90mm. You just double the focal length to get the equivalent. At 90mm, you get a fair amount of compression, which you can see above. The distances between objects are “compressed” so they appear close together than you see in reality. This is one of the reasons why a 90mm lens makes for a great portrait lens. It compresses the facial features so that you don’t have noses protruding as much.
I love this ornament. It seems so personalized for the Driskill. That’s also a picture of the Late President Johnson and his wife, Lady Bird, in the background. At f1.8 and at this distance, the depth of field is quite shallow. You can even see that the entire note card is not even in complete focus, with only a slice of sharp focus in the center of the card. The lens appears to be very sharp even at its largest Aperture. Too bad my Canon prime lenses aren’t this sharp.
And finally, here is an closeup of the entire tree in portrait orientation.
I wanted to celebrate the holiday season with not one but 3 beautiful Christmas trees. Two of the photos I took a year ago and was waiting for the perfect time to talk about them. The other one has become a tradition. While the fans of mostlyfotos have seen these images over the last few days, I thought this mini-series of Christmas trees will make for an interesting, longer post. Each photo has a back story and a set of decisions about why I used a particular technique or piece of equipment. While the photographs are linked by a common theme, their origins and motivations can be entirely different.
The first one is my favorite. I photographed it a year ago in Coronado, California at the Hotel del Coronado during a winter, family vacation to Southern California. This year, as I sit peacefully at home, with no traveling required, I get to reminisce about the story behind the photograph. As my family settled down in the hotel room in San Diego, I took the short trip over the bridge to Coronado, an upscale community on the other side of San Diego Bay. While most of my photography during this trip was to capture the family moments at Disneyland and other tourist attractions, I also brought my larger, more serious gear for some personal photography. So with my Canon 7D and tripod in tow, I found my way to the large, grand Victorian Hotel hoping to capture some holiday decorations. Mission accomplished! I shot several angles with multiple exposures, so that I could later post-process them using some HDR (High Dynamic Range) goodness. Fast forward to a couple of days ago, and after doing some HDR processing, I decided to go with a single exposure. My HDR processing has always been fairly light and I didn’t see much benefit of HDR in this image. I actually preferred using the middle exposure of my 3 exposure bracket. I like this image the most because of the environment that surrounds the tree. All of the trees in this post are beautiful but this one has the advantage of having some old world, richly ornate wood that surrounds the centerpiece. I love the glow of the lights reflecting off the wood work and the bit of shadows that add mystery to the scene. I think typical HDRs would over-brighten the scene, losing the shadows. The mystery and romance of the image would be lost. When I post-process the image to maintain the shadows, the resulting HDR didn’t look very different from a straight, single exposure. More and more, as I continue my journey in photography, I realize the power of shadows.
Image two was taken at the Los Angeles International Airport (LAX) in the American Airlines wing. I took it on the way back from the same family vacation I talked about previously. I had some time to kill before our flight back to Austin, nothing better than some photography, right? Unlike the relatively quiet, dark and old-world feel of the first image, this one feels modern, commercial and busy. I feel hesitant to break open a tripod in a busy place like an airport but I did my best to stay away from the main isles of traffic. Architecture again plays a major role in this tree image. This time I wanted a symmetrical composition between the archways. I placed the tripod low to the ground to capture the reflection off the floor and show the circular skylight above. I also purposely positioned the camera so the black floor pattern would be in the center of the frame and direct the eye to the tree. I used my Canon 7D and with the same super-wide Sigma 10-20mm lens that I used for my Coronado shot. In fact, this Sigma now stays on the camera most of the time. It is my go to lens for wide-angle interior and urban landscapes. I would have preferred to have fewer people in the frame, but this just was not possible. After shooting several long exposures, this one seemed the best. Unlike the first image, I did not plan a HDR for my LAX Christmas tree, just a long exposure to blur out the traffic.
The last image has become sort of a tradition over the last several years. This is the third year in the row that I shot the Christmas Tree at the Driskill Hotel. The Driskill is the grand old hotel in Austin. Because of the positioning of the pillars, I inevitably shoot the tree from the same position every year. You can see the previous two photos in the post I did last year called The Driskill Christmas Tree, One Year Apart. The tree of course looks different from year to year. One year it seems to be skinny. The next year it seems to put on more weight. This year seems to be a bit slender than last year’s. The image processing and composition also changes somewhat from year to year. I used my Sony NEX-5 again, the same as last year, with my 16mm f2.8. It was shot with a small tripod, very close to the floor, in an attempt to capture the sparkling floor reflections. This year’s image is a bit brighter and since I didn’t use HDR I lost a bit of detail from the stained glass. The white balance was tweaked to be a bit less orange than the 2010 version but still retain the warmth. The Driskill is a magnificent hotel but the darkness and shadows of the Coronado hotel lobby really brings out the tree for me. I would certainly love to take yearly photographs at the Hotel del Coronado but alas I think time and budge will make this more challenging. The quick trip to downtown Austin is certainly more accessible and I maybe taking a visit to the Driskill again next year.
Thank you to the readers of this blog for your visit. I hope you all have a Merry Christmas and happy and safe holiday season.