The studio had a classy and well-decorated seating area, and we hit upon the idea of making photographs there. Definitely more of an environmental portrait. I still used my Fuji X-E3 with the borrowed Fuji 50mm f1.0 lens that I talked about yesterday.
With this couch setting, I felt more compelled to move further away. The details that surrounded Morgan made it more worthwhile to go wide. I shot a lot. I shifted in and out, and left and right — varying the distance and changing the background. I made some mistakes, as I discovered later, which I’ll talk about in an upcoming post. When you have a real-world setting, instead of a studio backdrop, there’s a lot more to consider.
Gestures, tiny changes in expression, and body positioning matter a lot. This is something I’m still not good at and feel inadequate to direct. Here are two photos taken moments apart that provoke different moods, even with minor changes.
I have a free monthly newsletter that’s perfect for busy people. Signup for the Newsletter to get the best of my posts, old and new, plus additional content not available anywhere else.
One thought on “Morgan #3”